Country | Chinese Taipei |
---|---|
Year | 2020 |
Award | WINNER |
Client | WARNER BROS INC |
Affiliation | 4Cus Creative |
Designer | WANG CHING WEN, CHIU PO JUI, LIN SHIH RU, FAN CHI CHUNG, FU HSING HAN |
English | The project is creating a temporary space in the Taipei Cinema Park in Xi Men Ding. In terms of the design, we keep the essential in the core spirit of the movie and combine them with historical background of Taiwan to attract the game player and film fans to come. Other than the entertainment, the space also contains in educational information for young generation to know the truth of historical event of White Terror so that they can get the balance between art and reality as well as give arise of their thinking for it. Apart from delivering the profound idea, the designer brings the space into full play. |
Native | 業者在繁華的西門町電影公園中打造的一處臨時性空間,在設計上,針對電影核心精神去蕪存菁,連結過去台灣歷史背景,吸引遊戲玩家及電影迷們一同前來。娛樂之外,還能寓教於樂,讓年輕一代得以透過事件還原史實,於藝術與真實中取得平衡、引發思考。 一道荒廢的翠華中學大門替空間揭開序幕,三兩交錯的白底黑字封條,配上電影公園原有的紅磚式建築及電影海報,塑造懸疑氛圍。同時依照電影段落將空間劃分為「噩夢輪迴」、「誰是告密者」與「活下來的人」三大區塊。 在「噩夢輪迴」空間中,設計師將電影中的校園長廊化為現實,利用滿室腥紅燈光作為危險及鮮血暗示,以三道白色布幔寫上碩大的「忌中」二字,並懸掛於廊道一旁,與牆上以鮮血書寫的「告密者」、「抓耙子」等控訴字跡一同成為動線指引,而長廊盡頭的空椅子、繩索還有教官人像,則用來象徵威權下的無奈與壓迫,亦成為膽大參與者的一處拍照打卡點。此空間中設計師以大圖輸出手法打造連貫的防空洞壁面視覺,而居中的人像圖騰則出自台灣在地藝術家傅星翰之手。牆上的木作書架,妥善安放著當年被狹隘定義為「禁書」的書籍們,並透過地面指引把參與者引導至定點,可清楚看見牆上掛著劇中主角的黑白照片,暗示他們的犧牲。參與者的心境因此隨著場景變換而有所不同,唯有勇敢直面真相,才能獲得救贖,而背過身便看見代表第一個空間的警示標語:「害怕想起,重返噩夢輪迴。」,是設計師的巧妙安排。設計師將電影場景重塑,並透過細膩的動線規劃串聯場域,搭配媒體露出擴大受眾範圍,除了能將理念傳遞得更深遠外,也使空間能充分發揮其最大效益。 |
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