Country | China |
---|---|
Year | 2021 |
Award | GOLD WINNER |
Client | SHF |
Affiliation | FILLSTUDIO |
Designer | YangYuewen |
English | An object's image, as defined by the designer, is the possible image formed as a result of manipulation of such object. Designers are obsessed with "quiet tension",which arouses immeasurable perception and imagination in measurable spatial form and between objects. The planar functional area is mainly connected by an exterior passage by the entrance and an interior passage within the functional area. On the one hand, the multi-functional cabinet between the interior and exterior passages acts as a screen and a buffer between the entrance and the office area. |
Native | 物象,设计者定义为:物体在被干预的情况下所形成的可能性意象。设计者迷恋“安静的张力”,在可度量的空间形态中,在物与物之间,唤起不可度量的感知与想象。 平面功能区主要由入口处外通道及功能区内通道来连接,而处于内外通道之间的多功能柜体一方面作为入口与办公区的一个遮挡与缓冲,其次将共享水吧功能及灯具集合在柜体造型中,它整体以一种诙谐,陌生又极具装置感的状态在不同的位置以不一样的形态出现。 办公区公共通道一侧采用通透玻璃材质,意在最大限度地收集自然光线。自然光线,作为平面规划的重要线索,它连接空间里的一切要素。 设计者企图模糊空间的功能性,把它打造成一个带有亲和力的场所,它具备艺术馆的品质感,人与物在其中变换交织,空间氛围跟着自然光线的变化持续,保持某种未完成状态。 Fillstudio研发的《男孩》半身雕塑似乎在用自己的方式与空间展开对话,它给空间注入些许静谧的感觉。 设计者认为对物的认知应超越它本身的形体与色彩属性,物与物,物与人的关系应当是值得被关注和按某种空间逻辑进行编辑的。 在这个项目中,空间作为事件激发器,促使人与物在互动过程中建立关系并延展自身意涵,并最终建立情感连接。 设计者在满足基本功能需求的前提下,借助空间架构与细节设计,尝试去呈现空间的艺术性和当代性。 通过物化的空间去琢磨时间,而深植于设计者内心的“未完成”,即某种想象的空间,还在继续...... |
Website | mp.weixin.qq.com/s/0-LrA_cpoLt5YWXes8XuLw |
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