Country | China |
---|---|
Year | 2021 |
Award | GOLD WINNER |
Client | YANGO Group |
Affiliation | IDMatrix |
Designer | Wang Guan, IdmenLiu, Wang Zhaobao |
English | Stone forest sea, rammed earth wall, sunlight and forest are the stories owned by Shanhai Art Museum. As the external environment that we must keep, stone forest is actually very visually strong. Therefore, the design selected the local rammed earth in Yunnan as the prototype. The locality of the material and the rough realism of the material can have a better connection with "stone forest". In addition, in such a staggered building, an upright glass curtain wall can cooperate with the inside and outside of the space, and the scenery can be accommodated into the room without any obstruction. |
Native | 山海美术馆建筑设计借了山海石林的势,没有像以往山林建筑大多搭建平稳台地,而是把石林完全保留下来,拆解地势地形带来的局限,看似破败的这片林地尝试逐点连接,甚至是一些植被、树木都很难得的在建设中留存了下来。美术馆的各个空间随形就势散布,与石林共舞,形成多重关系的聚落。设计逻辑都是一样的,都是出于对场所精神的考量和尊重,把它引入,让石林和树木一起参与到空间中来。 建筑与设计的迷人之处,在于其承载着一座城市的底蕴与历史的痕迹,意识文化和梦想归属与新生。半山藏,草海起,山海美术馆的形态因石而动,所以会有高有低。设计把"莫比乌斯环"动线引入到的空间当中,无论是往上还是往下都是一个循环往复的过程。 石林海、夯土墙、阳光与森林,是山海美术馆所拥有的故事。在夹道穿过,一边是阳光照射下的红夯土墙,肌理质感都非常清晰,另一边是通透的玻璃幕墙,所有山海城的风云变幻,排山倒海而来。石林作为我们必须留存的外部环境,其实是非常强势的,因此,设计选择了云南当地的夯土为原型,材料的在地性和本身粗犷的真实感可以跟"石林"有一个更好的衔接和呼应。另外,在这样高低错落的建筑体中,一个顶天立地的玻璃幕墙可以协同空间内外,将"西山、草海、春城"完全没有遮挡地纳进室内来。 对设计而言,山海美术馆的设计不仅仅是造一个可供艺术展览的场所,更是创造着一系列的景象、连接、文化,甚至更多……这就是设计师的"无何有之乡"。 |
Website | www.matrixdesign.cn/home.asp |
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