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CEO Doyoung Kim
Founder of Asia Design Prize

 

 

 

Many people perceive design as a finished outcome. Logos, posters, websites, and product forms, which are visible to the eye, are often assumed to be the entirety of design. Yet anyone who has operated a brand over a long period soon realizes that design is not an outcome but a system of thinking. The visible result is merely a byproduct of thought. True design is formed through the accumulation of invisible decisions. This distinction becomes even clearer for small brands. Organizations with sufficient capital and manpower can cover problems through outcomes alone. Misaligned design can be compensated for with marketing budgets, and inefficient systems can be resolved by adding more people.

 

Micro brands and one person brands however, operate differently. A single decision immediately becomes the brand’s direction, and one flawed judgment can destabilize the entire structure. For this reason, design for small brands is not a skill of “making things look good,” but a method of “thinking correctly.” Design as a thinking system begins with questions: the brand’s reason for existing, what it seeks to leave behind, and the standards by which it will make choices. If these questions are not clearly defined, outcomes will shift each time and the brand will lose consistency. When the answers are clear, however, every outcome points in the same direction. Even if the logo changes or the platform evolves, the brand’s attitude remains intact. This is design functioning as a system of thought.

 

 

 

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< Image source: egoymagnaye >

 

 

One of the clearest examples of this perspective is the software company Basecamp. Rather than building feature-heavy, flashy products, Basecamp has consistently adhered to a single principle: “work should be simple.” As a result, its products maintain a remarkably consistent character over time. They avoid unnecessary features and intentionally keep their team small. Basecamp’s design is not so much about screen layouts or UI details as it is about a system of thinking that determines what not to do. The reason Basecamp continues to earn steady support is not because its outputs are visually sophisticated, but because the criteria behind its decisions remain consistent across the entire brand.

 

When design is understood as a system of thought, the way a brand operates also changes. Decisions about what to do internally and what to outsource, where to invest time and where to choose efficiency, and even which customers to build relationships with all become part of design. In this context, design is no longer an aesthetic judgment but a structural one. It makes choices repeatable, clarifies the standards behind decisions, and renders a brand’s actions predictable. Brands built on this kind of structure are resilient, regardless of their size.

 

 

 

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Another representative example is IKEA. IKEA’s design is not simply about offering affordable and attractive furniture. From the outset, its design thinking was clear: to enable more people to enjoy good design. This single idea shaped not only the form of its furniture, but also its pricing structure, packaging methods, logistics systems, and even in-store circulation. Flat-pack boxes, self-assembly, and the layout of large-scale stores are all outcomes derived from this system of thought. In other words, IKEA’s design was never about drawing furniture, but about constructing a way of thinking to solve problems. This is why, even after decades, the brand’s attitude has remained largely unchanged.

 

For one person brands in particular, design as a system of thought is a strategy for survival. Brands that rely on intuition alone tend to fluctuate with mood and circumstance. By contrast, brands with a clearly defined thinking system continue to operate by the same standards even in moments of fatigue. Design is no longer a matter of inspiration, but of consistent judgment. This is how small brands secure continuity. In the age of AI, this distinction becomes even more pronounced. Producing outcomes is becoming increasingly easy. Images, documents, videos, and copy can now be generated quickly with minimal effort. Yet deciding what to create and in which direction to accumulate meaning remains a human responsibility. That is why, in the AI era, design returns not to outcomes but to systems of thought. As technology becomes standardized, differences in thinking create differences between brands.

 

Ultimately, design is a continuous series of choices. And the criteria that make those choices possible are precisely what we call a system of thought. This is also why small brands can compete with large ones. Not because they can produce more, but because they can think more consistently. The moment design shifts from outcome to thinking system, a brand finally gains an unshakable foundation. This is the true essence of design that super micro brands must establish first.

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